It's weird to think about now, but back in the 1990s, scores composed by such masters as Jerry Goldsmith, Elmer Bernstein and Maurice Jarre would be routinely thrown out, like junking a Cadillac because it had a broken spring. One piece of music I've grown greatly attracted to in the last few weeks is "Felina's Story", part of Bernstein's score for Walter Hill's Yojimbo-updated-to-the-1920s-yarn Last Man Standing.

One listen and I'm sure you can hear what I do: a greatly flavorful piece of music. Though the primary focus is on the cimbalom and the inevitable Ondes martenot, there's also a bit of saloon piano, likely a pertinent part of the story.

I'm sure this has come up before, but it'd be a damn shame for a film score to be thrown out because it was too interesting.